Diana Probst, Cambridge Artist

Personal Critique: Mangling Holiday Pictures – Part 3

Welcome back to critique of paintings that are not mine; this is a watercolour of Morecambe Bay. First off, the good bits; the people are great. I have a lot of trouble drawing people quickly in watercolour and the artist

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Personal Critique: Mangling Holiday Pictures – Part 3

Welcome back to critique of paintings that are not mine; this is a watercolour of Morecambe Bay. First off, the good bits; the people are great. I have a lot of trouble drawing people quickly in watercolour and the artist

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Still Life, Roses and Reflections: Day 2

Day two of painting was mostly simple. I played around a little with backgrounds, and then decided to go for a plain, dark colour. What looks like black is in fact Payne’s Grey, a very dark but warm colour which

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Still Life, Roses and Reflections: Day 2

Day two of painting was mostly simple. I played around a little with backgrounds, and then decided to go for a plain, dark colour. What looks like black is in fact Payne’s Grey, a very dark but warm colour which

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Girl in a Dress: Day 4

The last days were about slow, steady improvement and painting a castle wall. Day 4 and Day 5 were really one and the same, and as such, I have filed them together. The face was defined better and skimmed slightly

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Girl in a Dress: Day 4

The last days were about slow, steady improvement and painting a castle wall. Day 4 and Day 5 were really one and the same, and as such, I have filed them together. The face was defined better and skimmed slightly

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Personal Critique: Mangling Holiday Pictures – Part 2

Hello and welcome to further critique. Those of you who are following along at home will notice this is not a watercolour but a pencil drawing. Again, there are good parts and issues. I like that combination, because it means

/ One Comment

Personal Critique: Mangling Holiday Pictures – Part 2

Hello and welcome to further critique. Those of you who are following along at home will notice this is not a watercolour but a pencil drawing. Again, there are good parts and issues. I like that combination, because it means

/ One Comment

Girl in a Dress: Day 3

Day 3 of painting was full of little tweaks on the dress and hands, and the long, slow slog of painting stone. Stone slabs have to look flat, be in perspective, and still be interesting. I painted a matrix of

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Girl in a Dress: Day 3

Day 3 of painting was full of little tweaks on the dress and hands, and the long, slow slog of painting stone. Stone slabs have to look flat, be in perspective, and still be interesting. I painted a matrix of

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Personal Critique: Mangling Holiday Pictures – Part 1

One of the fans of my art, and someone who has known me from before she knew I could draw, showed me some of her work recently, asking for my thoughts. A direct quote from her: ‘Art lessons at school

/ Comments Off on Personal Critique: Mangling Holiday Pictures – Part 1

Personal Critique: Mangling Holiday Pictures – Part 1

One of the fans of my art, and someone who has known me from before she knew I could draw, showed me some of her work recently, asking for my thoughts. A direct quote from her: ‘Art lessons at school

/ Comments Off on Personal Critique: Mangling Holiday Pictures – Part 1

Girl in a Dress: Day 2

On the second day of painting, while the dress was still tacky but not wet, I finished off some of the details and began on the face. Immediately, I hit the problem of the strong grounding. When I was mixing

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Girl in a Dress: Day 2

On the second day of painting, while the dress was still tacky but not wet, I finished off some of the details and began on the face. Immediately, I hit the problem of the strong grounding. When I was mixing

/ Comments Off on Girl in a Dress: Day 2