I have a review. In discussion over a print of mine: ‘That’s 3.826 bearsplosiotons. A bearsplosioton equaling about 2,000 bearsplosions, the standard unit of measure of awesome.’ A single bearsplosion is about how awesome something is if it is only
I have a review. In discussion over a print of mine: ‘That’s 3.826 bearsplosiotons. A bearsplosioton equaling about 2,000 bearsplosions, the standard unit of measure of awesome.’ A single bearsplosion is about how awesome something is if it is only
The day’s painting was frustrating, because I could not exactly match the colours I had mixed last time I worked on this piece. Part of that reason was that I was painting thicker.
The day’s painting was frustrating, because I could not exactly match the colours I had mixed last time I worked on this piece. Part of that reason was that I was painting thicker.
I have a great respect for the working life and incessant enthusiasm of Melissa Gay, an American artist and mother. This interview took place by eMail; I have edited for readability and length. Melissa was very generous with both time
I have a great respect for the working life and incessant enthusiasm of Melissa Gay, an American artist and mother. This interview took place by eMail; I have edited for readability and length. Melissa was very generous with both time
Today I went over the background with a variety of tones, most of them green that I had mixed up. Using a colour from the tube would have given me a flatness I wanted to avoid.
Today I went over the background with a variety of tones, most of them green that I had mixed up. Using a colour from the tube would have given me a flatness I wanted to avoid.
Having had positive feedback for Blue on Blue, a tonal piece almost totally in one colour, and the impact of similar red and yellow pieces, I decided to continue in that vein, with a deep green, and another yellow more
Having had positive feedback for Blue on Blue, a tonal piece almost totally in one colour, and the impact of similar red and yellow pieces, I decided to continue in that vein, with a deep green, and another yellow more
Do you want to have input into my work? Is there anything you would like me to produce? I have booked into an open day at the Curwen Print Studio, and will be creating several prints over the course of
Do you want to have input into my work? Is there anything you would like me to produce? I have booked into an open day at the Curwen Print Studio, and will be creating several prints over the course of
21 days of painting 3 months of drying time 2 studios 2 supporting paintings 1 supporting drawing 2 pages of supporting sketches 1 hand copy of the groundwork £50 of materials 20 packets of Smarties 1 brother-in-law 15 yards of
21 days of painting 3 months of drying time 2 studios 2 supporting paintings 1 supporting drawing 2 pages of supporting sketches 1 hand copy of the groundwork £50 of materials 20 packets of Smarties 1 brother-in-law 15 yards of