Diana Probst, Cambridge Artist

Blooming Huge Blue Glass Still Life: a Smudge

This is a minor piece of repair work. I do not want to put more than one more coat on the background. Ideally, I will put no more on. However, I let a brush stroke feather out too far, and

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Blooming Huge Blue Glass Still Life: a Smudge

This is a minor piece of repair work. I do not want to put more than one more coat on the background. Ideally, I will put no more on. However, I let a brush stroke feather out too far, and

/ Comments Off on Blooming Huge Blue Glass Still Life: a Smudge

Blooming Huge Blue Glass Still Life: Day 5

I worked pretty hard on moulding cloth today. Now I just have to tweak the forms here and there, and get the colours right, which is the second stage. I am mulling a post on sea-scapes, waves, and fabric. I

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Blooming Huge Blue Glass Still Life: Day 5

I worked pretty hard on moulding cloth today. Now I just have to tweak the forms here and there, and get the colours right, which is the second stage. I am mulling a post on sea-scapes, waves, and fabric. I

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Blooming Huge Blue Glass Still Life: Interlude

A quick one: this is what happens when a camera phone is falling to pieces. The camera housing itself is probably working loose, leading to loose connections. This should not be purple, as you no doubt remember. It should be

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Blooming Huge Blue Glass Still Life: Interlude

A quick one: this is what happens when a camera phone is falling to pieces. The camera housing itself is probably working loose, leading to loose connections. This should not be purple, as you no doubt remember. It should be

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Blooming Huge Blue Glass Still Life: Day 4

Today was my first day of painting, as opposed to planning where to paint by putting marks on the canvas. I started off with two pure colours, which is very rare. I tend to have a selection for mixing, and

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Blooming Huge Blue Glass Still Life: Day 4

Today was my first day of painting, as opposed to planning where to paint by putting marks on the canvas. I started off with two pure colours, which is very rare. I tend to have a selection for mixing, and

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Still Death Life

I have a love-loathe relationship with the work of Cezanne. His use of colour and his careful placing of paint make his best works full of vitality and interest. His use of the picture plane like a modern Fourth Wall

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Still Death Life

I have a love-loathe relationship with the work of Cezanne. His use of colour and his careful placing of paint make his best works full of vitality and interest. His use of the picture plane like a modern Fourth Wall

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Blooming Huge Blue Glass Still Life: Day 1a

Day 1 of a still life begins for me with an idea of what to paint. In this case, I had had the idea of a long fall of blue glass for some time. In fact, I have already completed

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Blooming Huge Blue Glass Still Life: Day 1a

Day 1 of a still life begins for me with an idea of what to paint. In this case, I had had the idea of a long fall of blue glass for some time. In fact, I have already completed

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On Art and Ignorance IIII

To some, I will be flogging a dead horse. Some time back, @davidallengreen posted an article on Art and Exhibitions from which I took several points. I agreed with a large part of what he was saying, but it was

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On Art and Ignorance IIII

To some, I will be flogging a dead horse. Some time back, @davidallengreen posted an article on Art and Exhibitions from which I took several points. I agreed with a large part of what he was saying, but it was

/ Comments Off on On Art and Ignorance IIII