Anglesey Seascape: Day 3

For the last day of painting, I had to do those awkward, awkward things that most people do not notice. There are ways to transition most good paintings into better paintings, at the end of the process, with light touch

Anglesey Seascape: Day 2

This is day two of painting a view of Anglesey, after the first day’s work has dried. Previously, I had left the work with some of the sea painted, and none of the foreground. The centre of the foreground stayed

Anglesey Seascape: Day 1

As Christmas approached, I managed to get a commission for an introduction made by a client, and in the process nearly pulled off the finest practical joke in my history of slow-burn amusement. Last year, a certain beloved client of

Lilly in Ink

Over the summer, I was screwing up the courage to ask someone I followed on Twitter for pictures of their dog for me to paint as my own project. Lilly was a white-faced collie with one blue and one brown

Edward the Cat

Edward is a cat well known to me through pictures, and his owner had been pondering a commission for a while. She finally asked me to draw him rather than paint him, as I was coming up to Christmas and

Spotlight On: Graeme Neil Reid

Graeme Reid, also known as Colours of Scotland, is an artist and illustrator of many years’ practice. He paints well across more than one style (curse him). Read this interview and find out just how hard his work ethic works

Still Life – Jug

I painted this over several days, with a long break in between for Christmas commissions and then for other work that came up. I started with an hour-long study in pencil, and measured that up against a photograph to check