Diana Probst, Cambridge Artist

Electronic Critique: Methodist Chapel

I finished the Methodist Chapel painting while I was outside, and it was great, and I really enjoyed the process. Then I took it home and dried it, and a bad thing happened; I saw what it actually looked like.

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Electronic Critique: Methodist Chapel

I finished the Methodist Chapel painting while I was outside, and it was great, and I really enjoyed the process. Then I took it home and dried it, and a bad thing happened; I saw what it actually looked like.

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Anglesey Seascape: Day 3

For the last day of painting, I had to do those awkward, awkward things that most people do not notice. There are ways to transition most good paintings into better paintings, at the end of the process, with light touch

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Anglesey Seascape: Day 3

For the last day of painting, I had to do those awkward, awkward things that most people do not notice. There are ways to transition most good paintings into better paintings, at the end of the process, with light touch

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Anglesey Seascape: Day 2

This is day two of painting a view of Anglesey, after the first day’s work has dried. Previously, I had left the work with some of the sea painted, and none of the foreground. The centre of the foreground stayed

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Anglesey Seascape: Day 2

This is day two of painting a view of Anglesey, after the first day’s work has dried. Previously, I had left the work with some of the sea painted, and none of the foreground. The centre of the foreground stayed

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Anglesey Seascape: Day 1

As Christmas approached, I managed to get a commission for an introduction made by a client, and in the process nearly pulled off the finest practical joke in my history of slow-burn amusement. Last year, a certain beloved client of

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Anglesey Seascape: Day 1

As Christmas approached, I managed to get a commission for an introduction made by a client, and in the process nearly pulled off the finest practical joke in my history of slow-burn amusement. Last year, a certain beloved client of

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