Diana Probst, Cambridge Artist

Green Pot, day 2

Today I went over the background with a variety of tones, most of them green that I had mixed up. Using a colour from the tube would have given me a flatness I wanted to avoid.

Upturned cup on green cloth, with half-rendered tones.I did not fully render the cup, which was a mistake. The reflection of the cloth on the cup is important, and I should have started to set that up early. What I did was mould the cloth with several tones.

You cannot darken a colour with black, unless you know what you are doing and why. Black makes things dull. Consider a line of changing tone that is all in shades of grey. It goes from light to dark. If you take a colour that is off the scale, and add black to it, you are bringing it towards that line, which means you are bringing it away from what it was. Instead, you can mix up a colour that seems to the eye to be the same but darker. This is what I was doing, trying to cover the black with a very dark green. I softened the background and kept the foreground precise, with smaller, less swishy strokes.

3 Responses to this post
  1. Posted on 9/Aug/2011 by Melissa G

    What are the dimensions of the piece? (I probably missed it in an earlier post.)

    I love the ease and speed with which you post the snapshots (way speedier than I am, lol!) but I would love to see these images from a flatbed scanner.

    • Posted on 9/Aug/2011 by Diana

      The tonal square pieces are about a foot wide, which makes them about a foot tall as well. I can’t scan until they are dry, however, and as you well know, oils take forever. Because they are evil!

  2. Posted on 10/Aug/2011 by Melissa G

    They are!!! Although I am told I should use Liquin because of my glazing style– that stuff evidently dries oils in 24 hours! Yay chemicals!

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