Diana Probst, Cambridge Artist

Still Life, Roses and Reflections: Day 4

Today I hoped to get the stems and leaves moulded, on the first layer. After a bit of colour selection I came up with a mix that was largely opaque for the leaves, meaning that the top layer will almost

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Still Life, Roses and Reflections: Day 4

Today I hoped to get the stems and leaves moulded, on the first layer. After a bit of colour selection I came up with a mix that was largely opaque for the leaves, meaning that the top layer will almost

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Still Life, Roses and Reflections: Day 3

I spent the next day of painting starting to block in the colours. Most of this will not be visible, but it deepens the paint colours for the top layer, and lets me experiment. The first colour, and the most

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Still Life, Roses and Reflections: Day 3

I spent the next day of painting starting to block in the colours. Most of this will not be visible, but it deepens the paint colours for the top layer, and lets me experiment. The first colour, and the most

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Still Life, Roses and Reflections: Day 2

Day two of painting was mostly simple. I played around a little with backgrounds, and then decided to go for a plain, dark colour. What looks like black is in fact Payne’s Grey, a very dark but warm colour which

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Still Life, Roses and Reflections: Day 2

Day two of painting was mostly simple. I played around a little with backgrounds, and then decided to go for a plain, dark colour. What looks like black is in fact Payne’s Grey, a very dark but warm colour which

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Girl in a Dress: Day 4

The last days were about slow, steady improvement and painting a castle wall. Day 4 and Day 5 were really one and the same, and as such, I have filed them together. The face was defined better and skimmed slightly

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Girl in a Dress: Day 4

The last days were about slow, steady improvement and painting a castle wall. Day 4 and Day 5 were really one and the same, and as such, I have filed them together. The face was defined better and skimmed slightly

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Girl in a Dress: Day 3

Day 3 of painting was full of little tweaks on the dress and hands, and the long, slow slog of painting stone. Stone slabs have to look flat, be in perspective, and still be interesting. I painted a matrix of

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Girl in a Dress: Day 3

Day 3 of painting was full of little tweaks on the dress and hands, and the long, slow slog of painting stone. Stone slabs have to look flat, be in perspective, and still be interesting. I painted a matrix of

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Girl in a Dress: Day 2

On the second day of painting, while the dress was still tacky but not wet, I finished off some of the details and began on the face. Immediately, I hit the problem of the strong grounding. When I was mixing

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Girl in a Dress: Day 2

On the second day of painting, while the dress was still tacky but not wet, I finished off some of the details and began on the face. Immediately, I hit the problem of the strong grounding. When I was mixing

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Still Life, Roses and Reflections: Day 1

I have adopted this as my next big, slow project. It is a photo from twitter, by Zed Shaw, a programmer and artist. He taught himself to paint, and put the Learn Coding the Hard Way series into the world.

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Still Life, Roses and Reflections: Day 1

I have adopted this as my next big, slow project. It is a photo from twitter, by Zed Shaw, a programmer and artist. He taught himself to paint, and put the Learn Coding the Hard Way series into the world.

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