Diana Probst, Cambridge Artist

Still Death Life

I have a love-loathe relationship with the work of Cezanne. His use of colour and his careful placing of paint make his best works full of vitality and interest. His use of the picture plane like a modern Fourth Wall

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Still Death Life

I have a love-loathe relationship with the work of Cezanne. His use of colour and his careful placing of paint make his best works full of vitality and interest. His use of the picture plane like a modern Fourth Wall

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Blooming Huge Blue Glass Still Life: Day 1a

Day 1 of a still life begins for me with an idea of what to paint. In this case, I had had the idea of a long fall of blue glass for some time. In fact, I have already completed

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Blooming Huge Blue Glass Still Life: Day 1a

Day 1 of a still life begins for me with an idea of what to paint. In this case, I had had the idea of a long fall of blue glass for some time. In fact, I have already completed

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Studio Guests: Little Friend Susan 3

Finally, and after much effort, L.F.S managed to arrive early in the morning on a morning where I had managed to get up. I brought in curry and we painted until we were done, finishing just in time to have

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Studio Guests: Little Friend Susan 3

Finally, and after much effort, L.F.S managed to arrive early in the morning on a morning where I had managed to get up. I brought in curry and we painted until we were done, finishing just in time to have

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Studio Guests: Little Friend Susan 2

Not put off by her charcoal experience, L.F.S. returned for more.

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Studio Guests: Little Friend Susan 2

Not put off by her charcoal experience, L.F.S. returned for more.

/ One Comment

Studio Guests: Little Friend Susan 1

Over the past weeks I have spent several days in the company of teenaged artists, letting them play around with my equipment. I had a bright GCSE student who practiced in pencil, charcoal, ink, and paint, and then I had

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Studio Guests: Little Friend Susan 1

Over the past weeks I have spent several days in the company of teenaged artists, letting them play around with my equipment. I had a bright GCSE student who practiced in pencil, charcoal, ink, and paint, and then I had

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