Girl in a Dress: Day 4
The last days were about slow, steady improvement and painting a castle wall. Day 4 and Day 5 were really one and the same, and as such, I have filed them together. The face was defined better and skimmed slightly
Girl in a Dress: Day 4
The last days were about slow, steady improvement and painting a castle wall. Day 4 and Day 5 were really one and the same, and as such, I have filed them together. The face was defined better and skimmed slightly
Girl in a Dress: Day 3
Day 3 of painting was full of little tweaks on the dress and hands, and the long, slow slog of painting stone. Stone slabs have to look flat, be in perspective, and still be interesting. I painted a matrix of
Girl in a Dress: Day 3
Day 3 of painting was full of little tweaks on the dress and hands, and the long, slow slog of painting stone. Stone slabs have to look flat, be in perspective, and still be interesting. I painted a matrix of
Girl in a Dress: Day 2
On the second day of painting, while the dress was still tacky but not wet, I finished off some of the details and began on the face. Immediately, I hit the problem of the strong grounding. When I was mixing
Girl in a Dress: Day 2
On the second day of painting, while the dress was still tacky but not wet, I finished off some of the details and began on the face. Immediately, I hit the problem of the strong grounding. When I was mixing
Girl in a Dress: Day 1
Over the summer I painted a Tudor dress with a girl in it. Let me phrase that more appropriately. A client of mine took advantage of an offer and provided a picture to let me expand my portfolio. She pre-bought
Girl in a Dress: Day 1
Over the summer I painted a Tudor dress with a girl in it. Let me phrase that more appropriately. A client of mine took advantage of an offer and provided a picture to let me expand my portfolio. She pre-bought